SHOGUN

Creating a technical and creative pipeline for a 360 campaign of FX’s largest show, Shogun. Culminating in a 6 minute world of Shogun short to help ease new viewers into the expanse that is Shogun. Working with vendors as well as with an internal team we were able to bring a new look to Shogun while remaining authentic to the history. From photorealistic metahumans to interactive 3js models we touched on nearly every degree of the 360.

Title: VFX Director | Role: Many and varied.

MAYANS S3

The series finale promo for The Mayans. We used a combo of cg, drone, street and studio footage to create this surreal pull into the shadows. We created a dichotomy of light and darkness to harken back to the show’s overall power struggle. EZ trying to out run his turmoiled past to a cliff that looks like salvation.

Title: VFX Director | Role: VFX Supervisor, FX, Comp, Lighting.

A MURDER AT THE END OF THE WORLD

Traditional VFX, using new technology, and a pinch of ominous creativity. Harnessing the power of unreal to drive the look of this dark who-done-it. Title: VFX Director, On set supervisor. Roles: FX, Lighting, Comp, scene layout.

LEGION

DEVS

AMERICAN CRIME STORY

BRANDING

PISTOLS

FILM

ABOUT

Hi, this is my creative “studio” space. All of the cool other domain suffixes were taken, except for .cool, but that felt a little on the nose. Welcome, take your shoes off, stay a while. My name is Michael Angelo Viscione II. I am a 2nd because my family was really into the Ninja Turtles. I am a VFX supervisor/director/creative who dabbles in coding, writing and art making. My family and I live in Los Angeles CA; we all love cats. For any info about which programs I use, languages, reel breakdowns, the location of my cat tatoo, you know whatever, please contact me.